All the way up until midnight, the homes on the stretch of North Broadway were treated to SHM’s unrivaled visual displays. The crowd-sourced choruses frequently rivaled the booming bass, which did not seem to be as loud as it has been at some of SHM’s less urban venues.īut if volume was at all a concern for neighbors, visuals were not. Though there was obligatory, unending dancing, however contained in the packed throngs - songs like “Don’t You Worry Child” and the remix of Coldplay’s “Every Teardrop Iis a Waterfall” seemed to bring attendees together in almost deafening chants. Singing, somewhat surprisingly, offered the night’s most unifying moments. We love,” SHM took the stage promptly at 10 p.m., opening with throbbing instrumental powerhouse “Greyhound.” It’s a distinctive track for the act, which has seen nearly all of its mainstream play come from hits with sing-along lyrics. Pulsing images of their mantra, “We come. The beefed-up set list and explosive pyrotechnics rivaled any of their previous stateside outings. Filling the venue that also serves as home to the annual FYF Fest, Masquerade Motel upped the ante of SHM’s headlining performance at last year’s Coachella. PHOTOS: Swedish House Mafia and More From Coachella 2012Īnd the festival-like atmosphere wasn’t just courtesy of the lineup. Ten hours worth of sets from Alesso, Zedd, No_ID and others culminated in a two-hour performance from the headliners. Aiming to stretch the goodbye for as long as possible, the group parlayed two of their final dates into an abbreviated EDM festival. A sold-out, 35,000-strong crowd turned up at Los Angeles State Historic Park on Saturday for the second and final night of SHM’s Masquerade Motel. What the act may lack in longevity, it more than makes up for in fervent devotees. For tickets and more information on the limited screenings, visit: something of a page from LCD Soundsystem, Swedish House Mafia announced last year that it would be disbanding on a high note at the end of a lengthy farewell tour - though the questionable conclusion of the three DJs’ time together comes just five years after they formed.
The tour sold 1 million tickets in one week and showcased hits such as Don't You Worry Child. It also offers a revealing, behind-the-scenes look as the trio face life responsibilities and attempt to salvage their friendship. "In an era where only the blockbusters can own the weekends in cinemas, we are thrilled that we are able to weave through all the red tape and open in so many screens with a fully independent approach," Thomson said.ĭirected by Christian Larson, the film follows the members of Swedish House Mafia - Axel Hedfors, Steve Angello and Sebastian Ingrosso - as they complete their One Last Tour, selling out stadiums and arenas in 26 countries.
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It also delivers the movie to cities where Swedish House Mafia fans are most active, she said. Producers chose the limited-release approach to give the project a concert feel, executive producer Amy Thomson said in a statement. Leave the World Behind premiered to a packed audience at the SXSW Film Festival in Austin earlier this month and had preview screenings in New York and Los Angeles. cities - including Honolulu, Miami Beach, Los Angeles and Chicago - over the course of just four days, starting March. Producers of the documentary Leave the World Behind, which follows the Swedish trio's final tour and subsequent breakup, will announce Thursday that the movie will screen in theaters for just one day each in 14 select U.S. Fans of the electronic music powerhouse Swedish House Mafia will get one last chance to see their idols together, but they'll need to act quickly.